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Halaby launched a series of experiments that would initiate a career-long investigation of the materialist principles of abstraction: how reality can be represented through form. Also influenced by the abstract movements of the Russian avant-garde, Halaby works with the conviction that new approaches to painting can redirect ways of seeing and thinking not only within the realm of aesthetics but also as contributions to technological and social advancement. This underlying notion has led to additional experiments in drawing, printmaking, computer-based kinetic art, and free-from-the- stretcher painting.