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The Israeli-French artist, psychoanalyst, and theoretician Bracha Lichtenberg Ettinger develops in her theory of matrixial borderspace, bordertime, and borderlinking an approach that allows us to rethink subjectivity and artistic production and offers a new concept of the feminine while articulating the specificities of a time-space for this feminine. Critically referring to classical and modern psychoanalytic writings (Freud, the British Group, Intersubjectivity, Lacan), she shows the extent to which the feminine in psychoanalysis has been conceptualized within the framework of castration anxiety, creating associations between the feminine and threats of regression, death, or insanity. Parallel conceptions of the feminine appear in terms of loss or victimisation and resonate throughout Western culture: the list is long, from the myth of Orpheus until Duchamps Bride (Ettinger). Yet, Ettingers approach doesnt concentrate on criticising, rather, it is a poetic emergence of a new thinking-feeling of a field of transsubjectivity.